Disneyland Covers Up Terrifying New Clown Faces In Haunted Mansion Holiday Overlay
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It has been a long-running tradition to “plus” the Haunted Mansion every year in the fall for Halloween. In a move emblematic of Disneyland’s penchant for innovation, the Haunted Mansion began a seasonal transformation in 2001, becoming the Haunted Mansion Holiday. Inspired by Tim Burton’s “The Nightmare Before Christmas,” this overlay was a significant departure from the attraction’s original theme. The introduction of Jack Skellington and his ghoulish companions offered a fresh narrative, attracting a new generation of fans while providing a delightful twist for longtime visitors. This seasonal change not only rejuvenated interest in the attraction but also showcased Disneyland’s ability to adapt and innovate without losing sight of its heritage.
This year is different. Disneyland’s Haunted Mansion has gone through revisions that have fans divided in regards to queue changes and infrastructure work. Reopening after significant alteration, guests are going directly into the annual Holiday Overlay that transforms Haunted Mansion into an homage of The Nightmare Before Christmas. Though a little early this year, Disney clearly decided they didn’t want to reopen Haunted Mansion for a few weeks before spending the time to re-decorate it again. But whilst the outdoor queue changes may have irked some long-time fans, one thing Disney didn’t expect to have cause nightmares was some of the new stuff added to the Holiday Overlay for this year!
Still, terror is definitely what was instilled in children if they rode the new version of Haunted Mansion for the first couple of days. It didn’t take Disney long to cover it up.
Within just a few days of the new cartoon clown images being present on the ride, Disney took the time to cover them up. According to those we have chatted with, a number of parents may have thought these clowns crossed the line and let management know about it. Despite a very long history of changes at The Haunted Mansion throughout the years, this is the first time we’re aware of one that made it all the way to public release only to be removed for being too scary.
The Haunted Mansion opened its ghostly doors on August 9, 1969, after nearly two decades of conceptual gestation. The attraction was a peculiar blend of Gothic horror and dark humor, a manifestation of Walt Disney’s vision to create a ride that was both thrilling and family-friendly. The original concept, designed by Ken Anderson, leaned heavily into the macabre, drawing inspiration from classic horror literature and folklore. However, as the project developed, the tone shifted towards a more whimsical portrayal of the supernatural, thanks to the creative genius of Marc Davis and Claude Coats. This duality of eerie ambiance and tongue-in-cheek humor became the cornerstone of the Mansion’s enduring appeal.
In the realm of historical milestones, the return of the Hatbox Ghost in 2015 stands out as a momentous occasion. This spectral figure, originally intended to be part of the Mansion’s debut, was removed shortly after the attraction’s opening due to technical difficulties. Though frightening, the Hatbox Ghost was so popular that it appeared at Disney World’s version last year. One might doubt of the same for the psychotic clown zombies that somehow made it all the way to release in Disneyland this year. For decades, the Hatbox Ghost existed only in legend, a phantom of what could have been. Its eventual reinstatement, utilizing advanced animatronic technology, not only honored the original vision but also demonstrated Disneyland’s commitment to evolving its attractions while preserving their historical essence.
The 2006 refurbishment saw the replacement of traditional effects with digital projections, particularly in the “Madame Leota” and “Hitchhiking Ghosts” scenes. These upgrades provided a more immersive experience, blending seamlessly with the ride’s vintage charm. The digital enhancements did not detract from the Mansion’s authenticity but rather augmented its ability to transport guests into a world where the line between reality and fantasy blurs.
In the case of this latest refurbishment, perhaps Disney found the line between nightmare and reality blurred a bit too much. We agree that scary clowns of this nature might be too much for more sensitive guests. It’s just funny it made it all the way into the ride before someone at Disney made the same decision. ·
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